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Cuando vuelves a tu tierra<\/h1>

multimedia instalation,\\u00a0 raw mud, google earth pictures on textile, archive pictures on smartphone screen, 2023<\/em><\/h1>

\\u00a0<\/p>

\\u00a0<\/p>

Als Kind besuchte ich mit meinem Vater seine Heimat u\\u0308ber Google Earth. Ich kenne das Dorf, die Berge und T\\u00e4ler vor allem von oben, aus der Satellitenperspektive. In der Arbeit geht es um meine Erfahrung, mit der Heimat meines Vaters in den Anden Ecuadors physisch wiedervereint zu sein. 2023 reiste ich nach El Quinche, Ecuador, und sammelte Erde und Ton von den Orten, die ich haupts\\u00e4chlich vom Bildschirm und aus Familiengeschichten kannte. Der Lehm stammte von Lehmziegeln aus dem Haus meiner Gro\\u00dfmutter, vom Ackerland der Familie und von Wanderungen durch die Berge<\/a> rund um das Dorf. Daraus formte ich einen Wirbel und H\\u00e4nde, die gleichzeitig halten und entnehmen.<\/h1>

Die Arbeit sucht die Verbindung zwischen Erde, Territorium und Erinnerung und schafft einen Dialog zwischen dem Physischen und dem Virtuellen, der Vergangenheit und der Gegenwart, dem Intimen und dem \\u00d6ffentlichen. Cuando vuelves a tu tierra reflektiert daru\\u0308ber, wie wir uns zum Land, zur Landschaft, zu unseren Erinnerungen und Emotionen verhalten, wenn wir zur Erde zuru\\u0308ckkehren.<\/h1>

\\u00a0<\/p>

\\u00a0<\/p>

ENG<\/p>

Marie Salcedo Horn's residency process involves the emotions of returning to her country. Of being reunited with her family, her home, her traditions, her landscapes, her land. It is a return to her memories updated by time, like revisiting history from the present. During the residency process Salcedo Horn looked for clay from various private and public places, each of them full of memories, anecdotes and emotions. The mud, the earth, are containers of stories. Here is recorded the entire history of humanity and the planet, the memories, the wars, the struggles, the tears, the love, the blood, the landscape, the pollution. Everything, in one way or another, is recorded in every grain of earth. Salcedo Horn recovers the mud from adobe bricks left over from an abandoned house she finds in Gu\\u00e1pulo, or from the house of her grandmother who lives in El Quinche. She also finds mud on hikes through mountains she walked in her childhood and to which she returns now, or she is given a bit of soil from a lemon tree that was saved from dying.
The earth contains the history of humanity. The artist takes each one of these muds and makes a series of uncooked hands. The mud is raw, alive, latent, just like the memory that each one of these places contains, memories that are translated into the sensations that the artist experiences when she contemplates and relates to the landscape, the people and the place she visits. Salcedo Horn puts in dialogue the hands, which are the record of these sensations brought by the mud, the territory, the landscape, her memories, with photos of the places she visited taken from google earth and photos from her personal archive.
Technology can be a means to access information, images and data about the world, as well as to question the modes of representation, perception and communication it generates. Technology can also be a way to reflect on the social, environmental and cultural impacts it produces. Territory can also be a way to understand the relationships between people, nature and culture.
Salcedo Horn explores the link between clay, territory and memory through her ceramic sculptures and digital images, and creates a dialogue between the physical and the virtual, the past and the present, the intimate and the public. Her work seeks to reflect on how we relate to the land, the landscape, our memories and emotions when we return to the earth.<\/p>

Ruben Diaz, Director of no_lugar Quito, Ecuador<\/p>\",\"align\":\"top\",\"row\":1,\"col\":23,\"colspan\":8,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":2,\"absolute_position\":false,\"frameOverflow\":\"\"}]}","phonegrid":"","_links":{"self":[{"href":"https:\/\/preggnant.com\/goldrausch\/26_kueseite_\/marie\/wp-json\/wp\/v2\/posts\/51","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/preggnant.com\/goldrausch\/26_kueseite_\/marie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/preggnant.com\/goldrausch\/26_kueseite_\/marie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/preggnant.com\/goldrausch\/26_kueseite_\/marie\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/preggnant.com\/goldrausch\/26_kueseite_\/marie\/wp-json\/wp\/v2\/comments?post=51"}],"version-history":[{"count":0,"href":"https:\/\/preggnant.com\/goldrausch\/26_kueseite_\/marie\/wp-json\/wp\/v2\/posts\/51\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/preggnant.com\/goldrausch\/26_kueseite_\/marie\/wp-json\/wp\/v2\/media\/98"}],"wp:attachment":[{"href":"https:\/\/preggnant.com\/goldrausch\/26_kueseite_\/marie\/wp-json\/wp\/v2\/media?parent=51"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/preggnant.com\/goldrausch\/26_kueseite_\/marie\/wp-json\/wp\/v2\/categories?post=51"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/preggnant.com\/goldrausch\/26_kueseite_\/marie\/wp-json\/wp\/v2\/tags?post=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}